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The research creates the concept of Forest-Art as an expression of an international artistic movement that dates since the 1990s, moulded by a number of artists with anthropogenic practices. The work is aiming at embodying the criticism of the complex relationship between nature and society and conveys holistic approaches to sustainability and public health. It considers plant’s behaviour and a direct collaboration with the vegetal in the process of knowledge production through performances, regenerative soil permaculture, forest-bio-art sculpture, writing and visuals. As a collaborative project involving art, science and legislature, it creates the concept of law-art where art tackles the rights of wild nature by contract-law and intellectual property. The research defines and produces “fertility’s islands” as forest-art’s works which are explorations of bio-techniques expressed through designed little forests planted on parcels of land with the expectation of a positive impact on the weather/ climate, wild life, and soil.
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